Dave Alvin & The Guilty Ones With Los Straitjackets At The Visulite
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Dave Alvin & The Guilty Ones
With Los Straitjackets

The Visulite
Wednesday June 15, 2011
Doors 7:30 PM / Music 8:00 PM

Tickets:  $18.00 Advance & $22.00 DOS

Tickets can be purchased in advance at CD Warehouse (King's Drive), Manifest Discs, Sunshine Daydreams (NoDa), online at CarolinaTix, PayPal or Music Today and by phone at 1.800.594.TIXX or
704.372.1000

Dave Alvin

Dave Alvin, Grammy Award winning singer-songwriter and self-described "barroom guitarist," is widely considered to be one of the pivotal founders of the current Americana music scene.
 
Since forming the highly influential roots rock/R+B band The Blasters, with his brother Phil in 1979, and throughout his long and critically acclaimed solo career, Dave Alvin has mixed his varied musical and literary influences into his own unique, updated version of traditional American music. Combining elements of blues, folk, R+B, rockabilly, Bakersfield country and garage rock and roll with lyrical inspiration from local writers and poets like Raymond Chandler, Gerald Locklin and Charles Bukowski, Alvin says that his songs are "just like California. A big, messy melting pot."
 
Dave Alvin's 30 years of recordings and live performances prove his statement. From the loud, aggressive rock and roll of The Blasters to the contemplative acoustic storytelling of his solo albums, KING OF CALIFORNIA and BLACKJACK DAVID, and from the traditional folk of his Grammy winning CD, PUBLIC DOMAIN, to the electric blues of his ASHGROVE CD, Alvin has always managed to unite seemingly disparate genres into a cohesive vision of contemporary roots music. On his two most recent recordings, DAVE ALVIN AND THE GUILTY WOMEN and WEST OF THE WEST (A Tribute To Native California Songwriters) Alvin continues to expand his musical range by adding doo wop, western swing, surf, norteno music and psychedelic jams to his already eclectic mix. "I have a pretty broad definition of folk music," Alvin laughs. "To put it simply, there are two types of folk music. There's quiet folk music and there's loud folk music. I like to play both."
 
A fourth generation Californian, Dave Alvin grew up in Downey, California as the local landscape quickly evolved from orange groves and dairy farms to tract homes and freeways. On songs like Dry River, his lyrics reflect the sadness and alienation brought about by these dramatic environmental changes while many of Alvin's other songs are filled with working class people trapped in what he calls, "the tough, confusing no-mans-land where dreams collide with the harsh realities of day to day living." In songs like King Of California, Out Of Control and California Snow, Alvin's characters struggle to somehow survive in the not-so-Promised Land of California. Much of Alvin's sympathies and world view were inherited from his parents. His father, Cass, was a union organizer who rode the rails out to California during the Great Depression and his mother, Nana, was born and raised in the small San Joaquin Valley farming town of Reedley, He also learned empathy first hand from the elder blues performers who befriended and mentored Alvin and his brother Phil when they were young boys sneaking into bars to hear the music they loved. In songs like Ashgrove and Boss Of The Blues, Alvin not only celebrates these early heroes for their musical legacy but also for the important lessons they taught him about love, hope and survival.
 
Dave Alvin's songs have been recorded by a who's who of contemporary roots artists from Los Lobos, Little Milton and Joe Ely to Dwight Yoakam, James McMurtry and X. His songs have also been featured in many movies and television shows including The Sopranos, True Blood, The Wire, Six Feet Under, Crybaby, Miss Congeniality and From Dusk To Dawn.  

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Presented In Conjunction With Landshark Entertainment

   

When members of the Los Straitjackets say their new record, t he Further Adventures of the Los Straitjackets, is “all over the place,” they certainly mean it. From the raunchy romp of album opener “Cal Speed,” the hand clap boogie of “Fortune Cookie,” the woozy vibrato of “Catalina” and on through to the flirtatious whimsy of “Noctural Twist”—loosely inspired by the 1930s-era jazz standard “Harlem Nocturne”—the new record is a return to form for the band. After spending the last couple of years making records with Kaiser George (Twist Party) and Cesar Rosas of Los Lobos, rockabilly belter Big Sandy, and East L.A. legend Little Willie G. (Rock En Espanol Vol. 1) the band found itself missing doing what it does best—and that’s making straight up instrumental rock and roll.
 
“It’s definitely heavier—more garage-y than our other records,” says guitarist Danny Amis. “It’s definitely a little more of a punk record than before. I think it’s reflective of the fact that we needed to get back to that.” To write and record the new album—its first record of original instrumentals since 2003’s Supersonic Guitars in 3-D—the band spent a lot of time listening to its heroes, including Link Wray, and the Ventures. In addition to those artists, guitarist Eddie Angel listened to other bands that may be less likely to be associated with the Los Straitjackets, including Led Zeppelin and The Cramps. He described the process of listening to records for inspiration adding, “Then we drank a lot of scotch, also for inspiration.”
 
“We never try to be meaningful,” Angel says. “We’re an anecdote to that. Our goal is to bring fun to the party.” The 13 new tracks on The Further Adventures of Los Straitjackets will definitely inject a lot of fun into any party. Bassist Pete Curry, who produced the record along with manager Jake Guralnick, said he was shooting for a more straight-up rock sound on the new record, as opposed to the surf-inspired tunes on earlier ones. The record was recorded at Curry’s LA studio, the Powow Fun Room, which was named after an Orange County bar. “The band’s been going a long time, I think it’s important to try and keep stuff fresh on some levels. We kind of coconsciously wanted to not sound like the previous records.” Curry says. “We wanted to make a more rock and roll-y record than surf-y. And then were some more elements of soundtracks…there’s a couple of (songs) that sound like movie songs… There’s a pretty good mix. It’s kind of fun sonically. We used everything in the studio at some point.”
 
The Los Straitjackets has been making its brand of raucous, instrumental rock since 1994 and has become known as one of the most dynamic and skillful instrumental bands on the planet. Their renowned live show is filled wit mind-bending guitar theatrics, group choreography and fuzzed-out experiments in high fidelity rock and roll showmanship.
 
And, don’t forget the wrestling masks each band member wears onstage. Right before the band’s first gig—back when they were still just The Straitjackets—Amis pulled out a bag of wrestling masks he’d bought in Mexico City. The Los Straitjackets were born. In the past few years, this gimmick has been brought full circle as the band’s last two gigs in Mexico City have been in front of stadium-sized crowds. The band’s music can also be heard in on soundtracks for TV shows including Malcolm in the Middle and at least 10 feature films, including Meet the Parents, Harriet the Spy, Enron: The Smartest Guys in the Room and Two Days in the Valley. They appear as themselves in Psycho Beach Party.
 
They are also a favorite of NBC funny man Conan O’Brien and have appeared on his Late Night program about a half dozen times, most recently in January to perform “Fortune Cookie,” from new album The  urther Adventures of Los Straitjackets.

 

Los Straitjackets

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