The Derek Trucks Band At The Evening Muse
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The Derek Trucks Band
with JJ Grey and mofro
  
The Belk Theater
Sunday September 13, 2009
Doors 6:30 PM / Music 7:00 PM

Tickets: 
$44.50     Orchestra Front
$37.50     Orchestra Rear and Grand Tier

Tickets can be purchased in advance at the Box Office (Belk Theater Lobby), online at CarolinaTix or by phone at 704.372.1000
The Derek Trucks Band

Derek Truck's musical career began at the age of nine, when he picked up a five dollar acoustic guitar at a yard sale. "It was nothing special," he claims, “It was just the only thing that looked interesting." But that seemingly inconsequential purchase changed his life. After learning what he could from his father and a family friend, Derek began playing with other musicians around town. "It happened pretty quick," Derek remembers. Within the span of a single year, he had purchased an instrument, learned how to play, and began touring - with his father acting as road manager/chaperone. What had begun as a weekend activity quickly became a life’s pursuit, and would eventually result in Derek being the youngest player to make Rolling Stone's "100 Greatest Guitarists of All Time" list, as well as the cover of Rolling Stone’s 2007 “New Guitar Gods” issue.

Derek got his first paying gig at age 11 and formed his first band at age 12. Todd Smallie, who played with many jazz and blues musicians in the Atlanta area, entered the picture in 1994, when Derek was 15 years old. "We have so many stories and so much in common,” says Derek, “It's been an amazing experience with him.”

In 1995, Yonrico Scott rounded out the band's permanent rhythm section. More than 20 years older than Derek, Yonrico brings an incredible lifetime of experience to the table. Like Derek, Yonrico began to play music at an extremely early age, picking up the drums when he was only 7 years old, playing gospel music in church. While growing up in Detroit, Yonrico studied under Motown drummer George Hamilton before moving south to attend the University of Kentucky, where he received a Bachelor's Degree in percussion performance.

Born in the Bronx, raised in Washington, DC, Kofi Burbridge first picked up the flute at age 6. He soon began ear training and studying theory at the same time. Kofi's musical education was rooted in classical and jazz -- for the flute. While attending college at the North Carolina School of the Arts, Kofi landed his first touring gig. Eventually making his home in Atlanta, Kofi took advantage of numerous opportunities to play with his brother Oteil (bassist extraordinaire) and a host of like-minded, enthusiastic musicians. He joined the Derek Trucks Band in 1999.

In 2002, The Derek Trucks Band heard about vocalist Mike Mattison after recommendations by both DTB producers Craig Street and John Snyder in the same week. Mike had been performing and recording as part of a duo called Scrapomatic in the New York area. Mike performed with The Derek Trucks Band for several gigs and Derek soon realized he had found the final piece of the puzzle. Mike’s soulful voice and understated stage presence fit the band’s musical vision and Mike worked into a full time position with the band shortly thereafter. Mike, originally from Minneapolis, lived and played in Brooklyn for a number of years before finally being drawn to the Southeast and settling in Atlanta with the rest of his DTB bandmates.

Count M’Butu has been the mysterious sixth member of The Derek Trucks Band for the last seven or more years. He is the only band member that doesn’t perform on every tour, but his presence with the band has become more frequent over time and the band always elevates their playing when he graces the stage. Born in Georgia in 1945, Count M'Butu studied music at Georgia State University and learned the art of drum making while in Africa, where he developed his love for and prowess on a variety of percussion instruments. He has worked with a wide variety of musicians, including Col. Bruce Hampton & the Aquarium Rescue Unit, Frank Zappa, and Chuck Leavell and has shared stages with Widespread Panic, Blues Traveler, the Allman Brothers, and Phish.

In 1999, Derek was asked to join The Allman Brothers Band, taking over slide guitar duty. (Derek's uncle, "Butch" Trucks, is a founding member of the Allmans) and he found himself balancing the schedules of two full-time touring bands, often logging over 300 days a year on the road. His schedule grew even tighter when asked to join Eric Clapton’s touring band for his 2006-2007 world tour. The opportunity to play alongside this living legend was obviously too good to pass up so Derek is currently juggling all three bands, including shows featuring both The Derek Trucks Band and the Allmans on the same bill.

 

Artist's Web Site

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Like Florida’s state flower, the orange blossom, musician JJ Grey’s songs are fascinating, beautiful, and complex. Both are products of the same ground: the rich, fertile and ancient soil of the Sunshine State. Born and raised just outside of Jacksonville, Florida, Grey comes from a long tradition of Southern musical storytellers and, like the best of the great Southern writers, he fills his songs with details that are at once vivid and personal, political and universal. His multi-textured music overflows with dynamic rhythms and thought-provoking lyrics. From raw funk to deep soul, blues and rock, JJ and his band Mofro deliver devastating live and recorded performances. Debuting in 2001 with BLACKWATER , following up in 2004 with LOCHLOOSA (both albums reissued by Alligator in 2007), Grey steadily built an intensely loyal following. In 2007, with his first Alligator release, COUNTRY GHETTO, Grey reached an even larger audience, doubling both his album sales and his concert attendance. Now, with his new album, ORANGE BLOSSOMS, JJ Grey takes another giant step forward.
 
 
ORANGE BLOSSOMS, produced by long-time cohort Dan Prothero and Grey, was recorded in north Florida and boasts some of Grey’s most profound and moving music to date. The album features 12 songs (including 11 Grey originals) inspired by Grey’s life experiences and visionary observations. With long-time friend and guitarist Daryl Hance, bassist/organist Adam Scone, drummer Anthony Cole, and the Hercules Horns of saxophonist Art Edmaiston and trumpeter Dennis Marion, Grey moves effortlessly from gospel-tent fervor to Southern-fried rockers to deeply emotional soul. ORANGE BLOSSOMS is a groove-driven masterpiece fueled by JJ’s gritty, smoldering vocals and intense, funk-infused guitar and keyboard work.
 
JJ Grey’s songs blend front porch realism with the best musical and literary traditions of the South. Whether it is a narrative passed down to him from his grandmother or the tribulations of a childhood friend, Grey’s ear for detail rings through in true storytelling fashion. His voice delivers with an unflinching strength that makes the personal universal and paints a vivid portrait of an exact time or place. Like his songs, Grey’s rich, soulful vocals are forceful and commanding, seemingly wise and experienced beyond his years.
 
Grey's songwriting influences are widespread. "I listen to people who tell the story," he says, naming Muddy Waters, Stevie Wonder, Tony Joe White, Jerry Reed, Otis Redding, Dr. John, Sly & The Family Stone, Van Morrison, Bill Withers and Dan Penn. What these writers and performers have in common is a love for simplicity and the ability to evoke complex emotions with a minimal number of words and notes. As a performer, Grey is influenced by the sexually charged blues of Howlin' Wolf, the country soul of George Jones, the hard funk of James Brown, and the smooth R&B of Donny Hathaway, as well as local personalities like street preachers and radio disc jockeys of his youth.
 
  In 2001 Grey’s debut album, BLACKWATER, was released under the name Mofro (a name Grey conjured up while working at a local lumberyard). Soon thereafter JJ, along with guitarist Daryl Hance, hit the road hard (playing over 175 shows a year) with an ever-changing Mofro line-up. A National Public Radio feature in 2001 brought JJ’s music to scores of new listeners, helping to open doors at press, radio and venues across the country. 2004’s LOCHLOOSA brought Grey even more attention, as the band performed at the first Bonnaroo in 2005 and opened for Widespread Panic, Ben Harper, Galactic, B.B. King and Jeff Beck. Word of their live shows spread quickly, and offers to appear at festivals and concerts around the world increased.
 
 2007 was a watershed year for Grey. The release of COUNTRY GHETTO brought widespread critical and popular acclaim, garnering piles of positive press with reviews and features running everywhere from The New York Times and USA Today, to Harp and Paste magazines. Commercial and public radio embraced Grey as well, as COUNTRY GHETTO received regular rotation on nearly 100 stations and was featured on hundreds more. In addition to countless live in-studio performances at stations around the country, he and the band appeared on National Public Radio’s World Café, the syndicated program E-Town, and played live on the Paul Jones Show on BBC2 in the UK.
 
JJ Grey & Mofro toured constantly in 2007. He and the band played over 120 dates headlining clubs and concert halls and performing at scores of festivals across the United States and Europe. Highlights included The Voodoo Music Experience, SXSW, The New Orleans Jazz & Heritage Fest, Wakarusa, Langerado, The Austin City Limits Festival and a Southeast run with the Allman Brothers. On Labor Day weekend 2007, Grey was able to fulfill a lifelong dream by hosting his own roots music festival, The Blackwater Sol Revue in St. Augustine, Florida. The all-day event featured Los Lobos, Tony Joe White and Florida favorites The Legendary JC’s and The Lee Boys. The second annual Blackwater Sol Revue happens on August 30, 2008 and features one of JJ’s favorite performers, Toots And The Maytals.
 From gritty funk and juke joint romps to contemplative country soul and blistering rockers, Grey’s music is in a class by itself, at once contemporary and classic. Now, with his latest release, ORANGE BLOSSOMS, JJ Grey will bring his singular musical vision and hip-shaking, soulful live show to his ever-growing fan base, showing how his songs speak to people all over the world and how far-reaching his Southern roots can spread.

 

JJ Grey & mofro

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