Neil Young Tribute featuring Flatland Tourists, The Pintos, Sinners & Saints, Tom Eure & members of Elonzo Wesley – Tickets – Neighborhood Theatre – Charlotte, NC – November 12th, 2017

Neil Young Tribute featuring Flatland Tourists, The Pintos, Sinners & Saints, Tom Eure & members of Elonzo Wesley

To Benefit Catawba Lands Conservancy

Neil Young Tribute featuring Flatland Tourists, The Pintos, Sinners & Saints, Tom Eure & members of Elonzo Wesley

Sun 11/12

Doors: 6:00 pm / Show: 6:30 pm

Neighborhood Theatre


Valid ID required for entry into venue. Under 18 permitted with parent.

Accepted forms of ID: State Issued ID or Driver's License, Military ID, Passport.

6:30 – Tom Eure
6:55 – Taylor Winchester & Alicia Driver
7:25 – Sinners & Saints
8:10 – The Pintos
9:10 – Flatland Tourists
9:55 – end of show jam

Neil Young Tribute to Benefit Catawba Lands Conservancy
Join us for an evening of both classic and deep cut Neil Young tunes, performed by some of Charlotte's finest musical acts. In an effort to pay tribute to Mr. Young, proceeds will go to benefit the Catawba Lands Conservancy mission of improving water and air quality, protecting wildlife habitats, farmland and open natural spaces in beautiful Southern Piedmont of the North Carolina.
Flatland Tourists - Real, Honest, Red Clay Roots Music. They were raised on it, lived it, believe in it. They all grew up in the rural south and now are based out of Waxhaw, NC.

They’ve played Americana festivals, venues, and performance centers throughout the Southeast. They’ve played opening support for national Americana act, Shovels and Rope. Their first EP spent almost two months in the Top Ten on the Roots Music Report charts. Their shows are filled with happy, smiling, dancing people. They have red clay roots and it shows in their music. Flatland Tourists started their musical journey together in 2013, and for them, every day and every gig since feels like a vacation.

One evening in 2013, a local cover band was playing an outdoor show at the water tower in the small town of Waxhaw, NC. It may have been serendipity, blind luck, or just a coincidence that guided Billy Bost, Rachel Garcia, Frank Sutton, Joe Williams, and Kevin Winchester to that show. But that evening, all five of them eventually found themselves standing near the water tower, listening to the other band. Something brought them to that specific time and moment in space. They’d all known of each other for years from playing in other area projects, but had never worked together. A week later, that changed when the first Flatland Tourists rehearsal took place. It didn’t take long before they all knew they’d found something special. They focused on writing songs, building harmonies, tightening the band.

Within a few months, they were playing gigs at Americana venues in the Charlotte area. More shows followed, the fan base grew. Mark Williams, Grammy winning producer and engineer (REM, Southern Culture on the Skids, Hootie & the Blowfish) heard them at a show in Charlotte and they soon agreed on his involvement as producer of their first EP. Little King Records released their self-titled debut in 2014. The EP spent 12 weeks in the Roots Music Report Americana Chart Top Ten with the single “No Work, No Pay” rising as high as #2 and staying in the Top Ten Singles chart for 16 weeks, and the single “Cold Water River” rising as high as #3 and staying in the Top Ten Singles chart for 10 weeks. Since then, the band has expanded their venues beyond the Charlotte area; they’ve played opening support for national acts such as Shovels and Rope, and have appeared at festivals throughout the region like Tennessee’s Summer Solstice Festival and the National Whitewater Center’s River Jam. Affirming their rise in the genre and popularity in the area, they were nominated and chosen as the winners in the Americana Category for a 2015 Carolinas Music Award.

Their songs are honest and real. Their live shows are just that—lively, and everybody leaves happy and smiling. Yes, their music reflects a wide range of influences: country, blues, bluegrass, jam, early rock, even jazz elements. One common thread is evident through all their influences, though, and that’s the band’s connection to American roots music. It’s the music their parents and grandparents sang to them, played for them, and later, with them. It’s evident in their musicianship, the way they blend their harmonies, and even in their song-writing. This band is not a collective of musicians playing Americana music—they’ve lived it. It’s a sound born in their blood and bone, you know that as soon as you hear their first notes, the minute you see them on stage.

Courtney Devores writes in Sound Bites: “Singer Rachel Garcia’s soulful, bluesy voice reminds me of Rosanne Cash with a touch of Janis Joplin, but she's really got her own unique emotive sound and phrasing” and that their songs “place the band in the company of Ryan Adams and the Carolina Chocolate Drops' Rhiannon Giddens.”

In CD Review, Nancy Pfingstag writes: “Flatland Tourists’ debut EP offers the best of Americana—a big tent collection of country, rock, and folk, with a little bit of gospel thrown in for good Southern measure. The band’s sound ranges from melancholic and evocative (The Only Thread) to wonderfully, respectfully irreverent (Elvis at the Fast Fare) to foot-stomping blue grass joyfulness (Cold Water River.) The clear vocals and tight harmonies bring to mind Emmylou Harris, Alabama, even CSNY (think Southern Cross), only different. The Flatland Tourists band has its own distinct sound that pays homage to the North Carolina red clay roots of its members. Gorgeous vocals, haunting lyrics, and spartan accompaniment—music to the bare bone."

So, no, the band doesn’t think blind luck or coincidence brought them together that evening by the water tower. Not at all. Instead, they know that some form of musical karma, some force in the musical universe brought them together. You can see it when they play live, you can hear it in their music. More than that, you can feel it. They play the music of their southern, roots heritage, the music that courses through their blood and bones. They play it with peace and love in their hearts and nothing makes them happier than sharing it with their fans because, after all, we’re all Tourists on this journey, aren’t we?

So, get on the Tourists bus. Download the EP, go see a show. You'll be glad you did.
The Pintos play songs by John Doe, Tom Waits, Burl Ives, Jeff Tweedy, and Alejandro Escovedo, as well as originals by guitarist/singer Chris Edwards.
Since the band’s formation in 2011, Charlotte, NC country crooners Sinners & Saints have brought their live show to many a main stage or festival with a combination of regional tours in the Southeast and regular appearances across their native Charlotte. The band has shared the stage with the likes of Flogging Molly, Shovel and Rope, 500 Miles to Memphis, Bombadil and many others as they seek to spread their whiskey drinking, shit kickin’, sweet loving music to as many ears as they can find. Their 2014 release, Love and Misery also brings the band’s first partnership with Silent Uproar Records, who will help with the promotion and distribution of the release.

The band features Perry Fowler on guitar, vocals, kick snare, and harmonica and Mark Baran on stand-up bass, vocals, kick drum, tenor banjo. Their latest album was recorded by Electromagnetic Radio Recorders in Winston Salem, NC in the fall of 2013. Other southern talent EMRR has worked in the past include The Avett Brothers, The Wood Brothers, Mad Tea Party, Overmountain Men, Lou Ford, and Poprocket. Love and Misery also features special guest Geoff White of Overmountain Men, Appalucia, and Leadville Social Club playing fiddle, mandolin, and 5 string banjo.
Tom Eure is a singer/songwriter whose music is a robust, heartfelt fusion of folk, celtic, gospel, early rock & roll and a dash of old time. He has delivered music to top venues like The Blue Bird Cafe in Nashville and CBGB’s Gallery in New York City, as well as theaters and festivals throughout the United States. Tom has won over audiences opening for some of the best acts in the business, including James McMurtry, Chris Smither, and the late Warren Zevon.

Tom has appeared on over 40 Albums and is about to release his sixth solo effort. Smoothly bouncing from one genre to the next; the fiddler for 2015 CMA award winners Flatland Tourist, spent seven years as the fiddler for the Cajun band Carolina Gator Gumbo, and over the past ten years has honed his Celtic music skills as part of Thistledown Tinkers.

Toms performances are all about singing and songwriting but as a multi-instrumentalist this showman seamlessly moves between guitar to mandolin, banjo and fiddle, keeping the performance fresh, fun, and engaging. He draws on his many musical influences to create a sound that defies clearly defined categories. His music is new yet familiar, risky yet comfortable, and has that rare ability to shine a light on the heart.
Elonzo Wesley
Elonzo Wesley
Elonzo Wesley began in January 2015, shortly after the breakup of Charlotte NC’s Elonzo. After moving from Atlanta in the mid 2000’s, singer-songwriter Jeremy Davis(Elonzo Wesley), sister Maggie Bourdeau(keys and vocals), and her husband Dan Bourdeau(drums) formed the indie rock band Elonzo, naming the band after the siblings’ (Maggie and Jeremy) departed father. The band self-released three full length records and two EP’s, touring the Carolina’s and Southeast faithfully. In December of 2014, bassist Stephen Narron (preceded by Dennis Contreras) announced to the group that he would be moving to take up a job and would be leaving the band. At this point in the bands history, having had lost Dan on the drums already to a job(succeeded by Ben Haney), Maggie only being available part time due to family constraints of newfound motherhood, and Stephen having to step down, it seemed change was inevitable. With a longing to be able to hit the road to fully support his recorded efforts, Jeremy knew it was time to begin another chapter in this story.

With 3 full length albums, hundreds of shows, and a few years under his belt, Jeremy Davis, otherwise known as Elonzo Wesley, will continue to carry his father’s name as a moniker and guide. As a solo performer, the song remains constantly at the forefront of what Elonzo, Elonzo Wesley, and Jeremy Davis has been and is ultimately all about. Elonzo Wesley, at it’s best is; the musical truth of the moment, combined with the beauty and sadness of what has passed.
Venue Information:
Neighborhood Theatre
511 East 36th Street
Charlotte, NC, 28205

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