ZO! + CARMEN RODGERS – Tickets – Neighborhood Theatre – Charlotte, NC – December 12th, 2018


Neighborhood Theatre & MaxxMusic present


Wed 12/12

Doors: 7:00 pm / Show: 8:00 pm

Neighborhood Theatre

$17 adv/$20 dos

$3 Under 21 Surcharge at Door (Valid ID required for entry into venue. Under 18 permitted with parent.)

Accepted forms of ID: State Issued ID or Driver's License, Military ID, Passport.

Multi-Instrumentalist/Producer Zo! is Detroit-area born and raised, Silver Spring, MD based… Lorenzo Ferguson.

Influenced by a wide range of music genres introduced to him at an early age, Zo! utilizes multiple layers of thick instrumentation to shape his compositions, as demonstrated on his solo albums. While touring his own material regularly, Zo! can also be seen on stage as the keyboardist and Musical Director for GRAMMY-nominated duo, The Foreign Exchange. In 2014, he completed music work for the Adult Swim animated series, Black Dynamite. Zo! co-produced The Foreign Exchange’s 2015 release, Tales From The Land Of Milk and Honey. Zo! released his newest offering, SkyBreak in 2016 along with its accompanying behind-the-scenes, two-time award-winning documentary, Making SkyBreak (2017). Most recently, Zo! has expanded his musical repertoire to include film scoring, completing full scores for two documentaries: Black, White & Blue (2018) and the Northwestern University commissioned, The Takeover (2018). While in production for another upcoming studio release, Zo! is also currently composing music for the newly-acquired IFC sketch-comedy series, Sherman’s Showcase (2019). He continues to emphasize the usage of live instrumentation and raw emotion as the blueprint for his music while continuing to expand his sound with each album release.


Time is something many of us take for granted. We waste minutes, hours, days or years wishing and hoping, rather than doing or positioning ourselves for our time. Carmen Rodgers takes advantage of the time she’s given, creating opportunities for herself through relationships and effort, then she writes a few songs about it. It’s been over ten years since she released her debut album Free, but the time is perfect for Stargazer, her latest offering of experiences, wishes, hopes and love.

Pushing her own creativity, Rodgers added a 14-piece string section to this album, as she aimed to make a “complete” album—complete in the sense that it reaches all emotions lyrically and the production provoke the same results. It took some time for this album to come together; the form of it changed a few times, taking its final turn after connecting with Zo! and the Foreign Exchange and allowing the vibe developed by the acts take her on the road. It was that time spent with Phonte, Nicolay and Zo! that created the space for Stargazer to meld into a cohesive project.

he origins of this album began back in Dallas, Texas in the imagination of a little girl; that little girl dreamed of singing her songs with crowds of people who knew and felt the words she was singing. Fast forward a few years and that little girl is traveling with N’Dambi, still dreaming of being in front, when one day she finally steps out into a changing music business. As the major labels looked to clone megastars and provide little attention to “niche” artists, Carmen Rodgers went the independent route to release Free. It wasn’t long before she learned Industry Rule #4080 (record company people are shady) was more than a line from a Tribe Called Quest song, and it became part of her life. In the ten years since, she’s grown, not only as an artist, but as a businesswoman. She found that she could no longer defer to the experience or expertise of others without cementing who she was first. She says, “I had to understand who I was as an artist, what I wanted for my career and then embrace that”, that became her focus, among so-called experts and music-biz types.

Having grown her fan base organically, Rodgers didn’t attempt to reinvent her wheel on her new album, instead she expanded on her sound. The string arrangements perfectly wed her lyrics and voice; the evidence can be found on the elegant “Charge,” which features Anthony David and took on a new life after the strings were added to the song. The song is sexy, but the romance is accented by the production. There’s something about the arrangement of “Patience” that makes unrequited love feel so whimsical. She sings, “I keep my distance out of respect to you and your girl/I’ll be content with having your friendship…for now,” and you completely forget that she’s plotting on another woman’s man. It sounds so damn good. The bouncy, live instrumentation of “Camille Leon” is a cautionary tale of the pursuit of fame.

Having just wrapped the first leg of her promotional run, Carmen Rodgers is allowing the people to get to know her as she is now. She recently filmed a steamy video for “Charge,” which is due this month, and a video for the title track, which will follow. She encourages fans and those who’ve newly discovered her to share her with their friends and other music lovers, not to try to keep her or her music in their pocket, because they feel others aren’t up on her. We can all start today by purchasing Stargazer—which is released on her own Candigirl Records (distributed by Nia/eOne)…

Al-Lateef Farmer
Venue Information:
Neighborhood Theatre
511 East 36th Street
Charlotte, NC, 28205

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